A Debut Y.A. novel
in the querying trenches
With a friend like this, who needs enemies?
sudden sisters by
r.m. lavender
Set against the stark backdrop of wilderness adventure and buried secrets, this upmarket YA psychological thriller explores power, trauma, and the unlikely friendship that might just save two girls’ futures.
An enemies-to-friends meets high-stakes adventure for young adult readers
Sudden Sisters delves into themes of redemption, finding agency, and healing through unbreakable connection with another.
The Story . . .
Mae lives for painting landscapes, and her eight-girl Junior Bio wilderness trip offers a chance to paint real high-mountain scenes—if she can risk a whole week trapped with Jessica, who’s made her life hell for years. Mae still has no idea why.
Their first morning out, a small plane crashes into their camp, killing both teachers, injuring others, and totaling their bus. A young pilot is trapped in the wreckage, unconscious. Mae wants to help, but with no cell service, Jessica tries the pilot’s damaged radio. Then she finds his hidden gun and stash of money—and takes them. As the group vies for leadership, Mae struggles with past trauma: witnessing a violent assault on her mother. When the pilot recovers enough to confront Jessica, Mae hears him threatening her, and edges closer. Finding him holding Jessica at knifepoint, Mae charges in, saving her own tormentor—but leaving the pilot dead.
Now indelibly bonded, the two agree to hide what happened, fearing Mae could be charged with murder. Back home, Mae wrestles with the weight of their secret, while Jessica insists they stay silent—forever. The conflict tears them apart, until finally facing the root of her anger, Jessica tracks Mae down, and together they act boldly to reclaim their lives.
About R.M. Lavender
A career in teaching and artmaking, and parenting a daughter, led Lavender to write stories about distinct, strong female protagonists who face rising complications in pursuit of driving needs. Characters’ past experiences condition their motivations, their decision making, and, ultimately, their growth and change.
Developing compelling fiction and screenwriting projects is in some ways much like the work of painting and sculpture—but with words invoking millions of mind’s eye images instead of singular ones made to invite multiple interpretations. “Painting with words” is a kind of collaboration—one that creates immersive reader experiences crafted simultaneously between the writer and reader.
Lavender was briefly represented by Michael Hamilburg until his passing, has earned finalist awards in three creative writing competitions, including one sponsored by the SCBWI, and was a semi- or quarter-finalist in four others. Also a realist painter, Lavender studied and practices the oil-on-panel techniques that were in use from the Renaissance through the 19th century, many of them originally developed by Leonardo da Vinci and shared with his apprentices in his Treatise on Painting. Lavender has also published several journal articles on art education and contributed a chapter to Garb: A Fashion and Culture Reader.

One | determination
Her hands sticky on the wheel, Mae takes another curve way too tight as the clock in the old family Volvo ticks down another minute she doesn’t have.
Now orange cones everywhere. Road Work Ahead. Really? Today, of all days.
“Be here by seven-thirty sharp,” Mrs. Rooney had warned. “No delays. Anyone who’s late will simply miss the trip.”
Which could actually be okay, depending on how you look at it. All those Foxmoor faces, just waiting to stare at her like she’s a nutcase, or turn away, unsure what to say. She wouldn’t mind missing that. They probably think she’s so screwed up she can’t do the one thing everyone looks forward to all year, Mrs. Rooney’s famous Wilderness Week.
Mrs. Rooney puts everything she’s got into her trip, but it sounds more like an excursion with a bunch of girls who think “wilderness” is what happens when the gardener doesn’t show up. And with all eight girls from Junior Bio stuffed into one tent, how’s that supposed to work?
But Mae won’t miss this trip. It’s her best chance to show them there’s more to her than they saw on that one sickening day. If she doesn’t grab it, it’s over for her at Foxmoor, for good.
“Turn green, damn it,” she commands a traffic light, beads of sweat gathering on her forehead. “If I have to run after the bus as it leaves, they’ll all laugh their gorgeous heads off.”
She winds through a damn detour, then almost runs a stop sign. “This must feel like a racecar ride, Mom. I know it can’t be fun.”
“It is hair-raising, I’ll admit.” The way she’s gripping her armrest, Mom will break a knuckle. “But I wanted to come see you off. Still, I do wonder …” Now she’s using her “I’m Just Concerned” voice. “You’ve had to deal with so much at Foxmoor. Should we have tried harder to find a different school? It was all you wanted, that last day of summer school.”
“The day of my freak-out-of-the-century, you mean. I was done with Foxmoor.” Mae sighs. “Still am, I have to say.”
It’s all a blur … her final presentation on Leonardo, for European History. Within what should have been an easy half-hour, her weeks of research on his masterpieces, all wrecked, by
Foxmoor’s snake-in-lip-gloss, Jessica. She and her crew, Chloe and Olivia, used their own unique brand of torment to push every button Mae had managed to keep un-pushed for years. Let’s just say, things didn’t turn out well. “Freak-out” is putting it mildly.
And now she’s supposed to live that down? Good luck.
“I couldn’t have gotten to another school that quick, anyway. But remember, no law says I have to go to any school. At sixteen you can just take the GED and be done with it.”
The way Mom winces at that … but that’s expected. “You know Dad and I think ‘testing out’ is too much like ‘dropping out’. Not something to rush into, especially with your talent in the arts. And what about Ms. Strand? You always say she’s been the best thing for you at Foxmoor.”
“She definitely does know painting. And she gives me all the studio space I need, for any project. But some of those girls, they’re another story.” Like the time Jessica and her bitches posted a pile of filth about Mae and some scuzzy guy they totally made up, then kept tweaking and reposting it for days. Somehow, she got through that hell.
But their next bomb broke whatever was left of her. Mae ended up sprawled face-down under the bleachers, with no clue how she got there. Or how Ms. Strand found her. Or when the Psych Emergency Team took her away.…

Other Projects
Other Projects
Outlined or In-Progress
Several YA stories focusing on redemption, finding agency, and discovering true identity, including:
Shades of Indigo. A YA survival/adventure drama, including Sudden Sisters’ main characters, Mae and Jessica, and introducing Indigo, who’s new to Foxmoor School for Girls.
The Golden Boy. (A novel for the adult fiction market) A Pacific Northwest timber-man loses his young son in a river accident, and finds his only solace in carving large wooden figures. When he is ‘discovered’ by a vacationing art dealer who draws him into the New York art world, his inspiration is nearly destroyed by the trappings of his remarkable success. Ultimately, he's forced to choose between two very different worlds.
Screenplays
Latude. Based on the true story of a pre-revolutionary French man wrongly imprisoned for 27 years, this historical drama includes two prison escapes—one of which historians have called “the most daring in history”—and features a remarkably noble-hearted woman whose tireless determination aids Latude’s struggle for freedom.
No Turning Back. A contemporary suspense-drama about a group of teen girls stuck in the wilderness after a cataclysmic event kills their teachers, leaving two antagonists to confront nature, overcome the clash of a lifetime, and liberate themselves emotionally. (The inspiration for the YA novel, Sudden Sisters.)
The Golden Boy. A contemporary romantic drama about a timber-town folk artist who’s discovered by a vacationing art dealer, only to become a New York art world sensation. When the source of his inspiration is all but destroyed by his own success, he must face his wrenching past, and choose between newfound fame and true love.
Awards and honors
Semi-Finalist, William Faulkner-William Wisdom Creative Writing Competition, 2012, No Turning Back - Novel
Third Place, 5th Annual IndieProducer Screenwriting Competition, 2007, The Golden Boy - Original Screenplay
Finalist, SCBWI Kimberly Colen Memorial Grant, 2006, No Turning Back - Novel
Semi-Finalist, William Faulkner-William Wisdom Creative Writing Competition, 2006, No Turning Back - Novel
Quarter-Finalist, 11th Annual Writers Network Screenplay & Fiction Competition, 2004, Latude - Adaptation Screenplay
Finalist, 1st Annual IndieProducer Screenwriting Competition, 2002, No Turning Back - Original Screenplay
Quarter-Finalist, Nicholl Fellowship in Screenwriting Competition, 2002, No Turning Back - Original Screenplay
Finalist, Malcom-Vincent Screenwriting Contest, 1992, Latude - Adaptation Screenplay
Contact R.M. Lavender
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